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Date:
September 9, 2001 |
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At 11:30 I pulled into Lake Winnie’s parking lot and met URC’s own
Atlantacoaster. I met several
other ACErs in the parking lot and after waiting a short bit paid &
entered the park for the first time.
For people who have not been there, the park is laid out much like
a “U” and the lake fills in the U as the park stretches around it.
The front entrance puts you in the park at the bottom right-hand
corner of the park. So, we
walked to the left and back over the Cannonball (John
Allen, 1967, coaster
104 for me). The coaster simply says that it is a classic out & back
design. With its white paint
contrasting with the green trees and grass around it the coaster makes a
fine visual statement.
Our first ride was in the front seat- with no one else in the train.
We spent the next rides enjoying the front back and my personal
favorite, 1.3. As I said in
my Allen history this is one of the better-maintained Allen coasters and a
great example of the large-small-large style of hills that he liked to
throw together. I must say
the trains looked beautiful as they were recently rehabbed by P.T.C.
The running boards are gorgeous, the park kept the single-locking
lapbars but added individual seat belts and seat dividers.
I really do not care (I guess I am getting used to these sad
additions) if one or both of these accessories are added to a train, but
when both are present it makes loading much slower.
If coaster-owners are intent on adding seat belts & dividers,
go the S.F.O.G. or Miracle Strip route and add one seat belt for both riders.
It makes loading a breeze and there is less to dig for within the
seats. Sure, it saves only a
few seconds, but those do add up over the course of an operating day-
which means customers wait in less lines.
Back to the coaster. After
the skid brakes drop the train meanders over a nice 180-degree right-hand
turn into the lift. A quick
lift to the top ensues and shortly afterwards we were dropping down the
first hill. The train flies
over this, then a drawn-out bunny hop and then up a large mid-course hill
that is almost as tall as the first.
After the anti-rollbacks clatter you fly down over another small
hill and up into the turn-around.
The drop off the turn (which uses Allen’s anchor and chain support
system) is nice and the coaster parallels itself back into the station.
One of the ride’s best moments is the entrance to the brake run
where, much like on the Six Flags St. Louis Screamin’
Eagle, it looks
like your hands might get lopped off by the roof.
We also got in some rides on the new for 2001 Wild Thing, an L&T Wild
Mouse (coaster 105). To my
knowledge it is only the second operating L&T
mouse, the first being
at Jazzland. I was expecting this ride to be merely fun, but it really
surprised me. First off,
after you board the train is pulled up possibly one of the steepest mouse
lifts in existence. After
that it goes through a series of switchbacks on the top level.
These turns got progressively more violent and the some of them
felt as if they were right on top of the lake- the visuals were wonderful. We were lucky in that the brakes barely kissed the train
before it entered the second half. This
was a series of hills that featured a few glances of airtime.
But, the best part was the final two turns which were taken at very
fast speeds and through supports so the cars felt like they were going off
the track into the superstructure. Overall
this coaster exceeded expectations and I applaud the Lake Winnie staff as
they picked the perfect coaster for their park.
We went back and forth between the two coasters until E.R.T. ran out.
I must say Cannonball 1.3 never gave quite the air I had hoped, but
we never got to experience a full train in that seat and the ride was
obviously still warming up.
As the E.R.T. came to a close Bill & I hit a flat ride I had heard
stories about- evil, maniacal stories.
The ride was the Eyerly Fly-o-Plane.
But, looking at the ride I wondered, could this really be the evil
experience that so many people have described?!
It looked more like a plane from the Thomas the Tank kids show than
a machine to extract confessions. Puzzled,
I stepped inside the small cockpit and the trademark restraint came down
on me. Sitting in front of me
were two small steering wheels which each controlled the wings that
sprouted from the nose. After everyone was buckled in the engine started, a whirring
ensued and after a few revolutions we were high enough off the ground when
I dared to touch the wheel. A
nudge to the left and the cockpit rolled over, with me hanging only by the
seatbelt. With all of my
might I forced the wheel to the other side and the plane lurched over the
top and left me upside down again. As
the ride continued I got the hang of things and was rolling it like a pro.
One thing that is important to remember about the Fly-o-Plane is
that you need to work hard for the plane to roll well.
It is a given that the cockpit will not stay upright, so you have
to work to keep the ride rolling. I
can honestly say that the Fly-o-Plane is one of the more intense rides I
have been on (when spun fast) and I can do nothing but applaud Lake Winnie
for rehabbing a ride like this (they used to have a Fly-o-Plane but got
rid of it years ago) and putting it in their park. In
an age where many parks think that big and expensive are the only ways to
go, the park got it right by including a ride that is little short of an
American ride classic.
Looking at the Fly-o-Plane it seems simple by today’s standards. But, I think it is important that we remember the great contribution the Eyerly Aircraft Company made to inverting amusement rides. They were the forerunners of today’s masterpieces by companies like Moser, Zamperla and KMG. The “o-planes” started it all, combining safety, portability and a quality ride put together in nice, affordable package for parks and carnivals. This was my third in the Eyerly line of o-plane rides (along with the loop and roll o-planes), but still have to enjoy the “rock” version of the ride. Enough about Eyerly, on to the rest of the park.
Adam Sandy, Copyright 2001. |